Terry Richardson once said, if the picture is happening and you are not ready, you loose. Or as wonderful Otto Bell once said ” You have got to be in it to win it”. In other words, if you gear ain’t ready to shoot, you just lost a possibly great photo. I hate when that [...]
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Cinematic color correction for stills
This is what we have been working on for the last 5 days. 123 photos later, almost through the entire archive of the greatest hits. Obsession at its finest. Let me know what you think. Questions, comments, have I gone completely nutter, again? Related Posts:InspirationThe essential listening skills of the photo journalist5 Questions for a [...]
Movie stars, art buyers and the importance of dancing
If you need a comedic break in you day, here is part 3 of James Sullivan’s interview. I am sure I am going to get questions about some of my rants. Bring it on, all questions answered, all comments posted. Thanks for taking the time to watch. Related Posts:The ReelMaking a Lifestyle Documentary Film: Best [...]
About
David Harry Stewart is a photographer and director. He comes from a small town in western New York. He started taking pictures at the age of 8, first with a plastic Kodak 126, then a Polaroid Swinger. He did his first national ad campaign at age 23, then moved on to Paris to work for fashion magazines. Returning to New York he has a successful and award winning career, working for magazines like Interview, GQ, Harper’s Bazaar, Esquire, New York Magazine, Time and The New York Times Magazine. Agency work includes Saatchi, Deutsch, BBDO, Leo Burnett, and Ogilivy, for clients such as American Express, Nike, Coke, Corona and Bank of America. Awards include Communication Arts, The Art Directors Club, Photo District News, The Living Photograph Motion Awards, and American Photography. He splits his time between Los Angeles and New York.
